Sri
Parthasarathi thunai
Srimathe
Ramanujaya Namaha
Srimad
vara vara munayE Namaha
Sri
vAnAchala mahA munayE Namaha
Pranams,
Let
us see some interesting facts about the Thiruvallikeni Divyadesam.
We know that according to our sampradayam, tattvas are three: Achit,
Chit and Ishwaran. Ishwaran refers to Sriyapathi Sriman Narayanan.
Ishwaran has 5 forms, namely para, vyuha, vibhava, antaryami and
archai. Among these, para form is seen only by the Nityasuri's and
even the Devas are not eligible to see this form. Then Perumal by his
Nirheduka krupai came to the Thiruparkadal as the vyuha murthy so
that the Devas can come to see him and tell their miseries to him.
Even this form cannot be seen by the baddha jivatmas. So Emperuman
took the vibhava avatara, but the difficulty of this avatara is, he
can be seen only by the people in that time and it is difficult to
understand him. Then, comes the antaryami, who can be seen only by
great people, like the alwars and rishis(yogis). So the easiest form
and the one, seen, even by a nastikan is the archavataram. Among
the various archavatarams of the bhagavan, 108 have been sung by the
divyasuris(the alwars) and hence are called the divya desams.
Thiruvallikeni is one such divya desam. Thirumangai alwar, Peyazhwar
and Thirumazhisai azhwar have given their Mangalasasanams to the
Emperumans of this divya desam.
In
mumukshupadi charama sloka prakaranam sri pillai lokacharya says
"KAIYUM
VUZHAVU KOLUM, PIDITHA
SIRUVAIKAYIRUM,
SENAADHOOLI DHOOSARITAMANA
THIRUKUZHALUM,
THERUKKU KHEEZE NAATTRINA
THIRUVADI
KALUMAI NIRKINDRA SARATHYA VESHATHTHAI
'MAM'ENDRU
KATTUKIRAN"
This
portray can be visuvalized in Thiruvallikeni. Even Arjuna for whom
Krishna showed this thirukkolam couldn’t have enjoyed it, since he
was filled with confusion and vishadam. But even today we are able to
enjoy that arpuda divya mangala vigraham in Thiruvallikeni. Even
today he shows his feet and says 'mam ekam charanam vraja' and
assures that he will release us from all our sins and grant us
moksham. The moolavar has only two hands, a site not seen in any
other divyadesam (except nachiyar koil). On the right he holds the
Panchajanyam, the only Ayudam which Emperuman had with him during the
Bhaaradha Uddham.
Even
when he sacrificed all other Ayudams and said he will not touch any,
till the end of the war he did not give up his sankam. Probably this
is why even Sri Andal the consort of Sri Parthasarathi in
Thiruvallikeni envies the sanghu and sings "karpuram narumo
kamalapu narumo" and all. In this excellent 10 verses in the
Nachiyar Thirumozhi actually Sri Andal shows the relation of the
Perumal and Sankam and also shows how the other consorts feel jealous
of the Divya Panchajanyam
which keeps going to the mouth of the Emperuman, day in and day out.
For others, they have to take bath before going in front of Perumal
but the Sankam never takes bath but it has its bath with the amudham
from the Perumal’s mouth itself. These verses are apt to be sung in
front of Sri Venkatakrishnan in Thiruvallikeni, where the Sangam gets
its major place leaving all other Ayudams, the Emperuman of the other
Divyadesams generally have.
In
the left is the varada hastam which says 'Mam Ekam Charanam Vraja'.
To show the warrior vesham the Emperuman has a moushtache and a small
knife in his hip and also a vuzhavu kol as acharya puts it(since he
is a Edayan he needs a kol). Till the next posting let the image of
Sri Venkatakrishnan remain in all our minds.
adiyen
ramanuja dAsee
sumithra
varadarajan
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